Sunday, September 8, 2013

File:Robert Kelly File Photo.JPG

A group of volcanologists from the UK and USA have traveled to North Korea to assist them with conducting scientific investigations and installing equipment near the volcano Mount Paektu.

Wikinews interviewed Dr. Robert Kelly of Pusan National University (PNU) in South Korea, who specialises in security and diplomacy and Dr. Jim Gill from the University of California who has visited the Chinese side of Mount Paektu.

((Wikinews)) Given that the UK, USA have strained political relations with North Korea, what is the purpose of these scientists working together?

Dr. Robert Kelly: Mt Paektu erupted massively about 1100 years ago and has been dormant since. Recently there has been seismic activity, and should it explode again, it could be gigantic — and devastating. It is everyone’s interest in East Asia to know about such a possibility, so this kind of cooperation can be above politics. But it is also always good to engage North Korea to try to draw them out. Such engagement can occur in nonpolitical, technical areas like this most easily.

((WN)) Does North Korea understand that it needs the specialism of British and American scientists to plan for when the volcano erupts?

RK: It does. North Korea does actually engage in various track II programming, including student and administrative exchanges. This is not well-known due to the nuclear issue however. The North Korean government is aware of its technological backwardness, and they often dangle concessions to other states in exchange for tech transfers like this.

((WN)) The North Korea underground nuclear test site is very close to the volcano, do you think this affected North–South Korean relations?

RK: Not very much. It does upset South Koreans somewhat, because Mt. Paektu is actually [a] national landmark. It is the mythological birthplace of the Korean people. And there is some scientific concern that major seismic activity could impact nuclear facilities.

((WN)) Do you think that the field work being carried out by the scientists, being near a militarised border is very difficult?

RK: No, because it is in the interest of all local parties — NK, Chinese, even Russian — that Mt. Paektu is properly monitored. Indeed, I could imagine that, behind the scenes, the Chinese pushed North Korea toward this cooperation, as this is somewhat unusual for NK.

((WN)) May the North Koreans be wary and suspicious of their British and American counterparts, given the secretiveness of the state?

RK: Absolutely. I have been to NK, and I can say positively that the scientists will be monitored and accompanied at all times they are away from their hotels. They will also be isolated from the NK wider population. They will only interact with specially chosen minders who speak excellent English and have proven their loyalty to the state. And there will be security personnel with them at all times outside their hotels too.

((WN)) Do you think that Western scientists collaborating together with the North Koreans could set as an example of political things to see in the future?

RK: Not really. I hope so, but North Korean^[sic] has a tendency to pretend to open itself, and then to re-close after it gets what it wants. All sorts of interaction with North Korea gets hyped as ‘a new beginning’ or a ‘historic opening,’ only to come to naught. That does not mean it could not happen, just that I am skeptical. Instead, NK is likely to continue to interact when and where it has certain specific needs, as in this case. And that interaction will be tightly monitored. Fifteen years [ago], at the start of the Sunshine Policy by SK, there was hope that increased interaction would grow organically and slowly open up NK. That was the spirit behind the Kaesong industrial zone. But in fact, the North Koreans tightly controlled Kaesong to capture its gains and limit spillovers. I imagine the same will happen here.

((WN)) Do natural hazards pay attention to international political differences?

Dr. Jim Gill: Of course not.

((WN)) Is there a high risk and increased seismic activity in relation to Mount Paektu?

JG: Not currently. There was unrest at the volcano during 2002–05 but it has returned to normalcy.

((WN)) Would an eruption of Mount Paektu have consequences for multiple countries?

JG: Yes. The most likely widespread consequence will be an interuption of air traffic between North Asia and North America and Europe. More locally, the tourist industry on the Chinese side of the border will be very impacted. Most ash fall will be in the DPRK.

For perspective, there was an extremely large eruption of the volcano at about 940 AD — one of the largest historical eruptions anywhere on Earth. It is uncertain how often it has erupted since, and how large the eruptions were, but nothing has been big enough to cause serious problems scores of kilometers away. So yes there is risk — it is large mountain with a long history of eruptions — but nothing indicates a high level of concern now.

Friday, December 31, 2004

New York City – Actor Jerry Orbach died in his home in Manhattan at age 69. Orbach was a staple of American cinema, stage and television, with his most recent role being in the NBC police drama “Law and Order.”

Orbach is survived by his wife of 25 years, Elaine Cancilla, and his two sons Anthony and Christopher.

Orbach was born in the tough Bronx borough of New York City in 1935 to a family of entertainers. His father Leon Orbach was an vaudeville actor and his mother Emily Orbach was a radio singer and greeting card writer.

The family moved often to keep up with travelling Vaudeville acts, but eventually settled in Waukegan Illinois where Orbach played football at the local high school. After graduation, Orbach got a summer job at the Chevy Chase Country Club in Wheeling doing odd jobs ranging from stagecraft to small acting parts in plays.

He then studied drama at the University of Illinois before transferring to Northwestern where he studied the Stanislavsky Method of drama acting. In 1955, Orbach dropped out of college and moved to New York City where he got a job as an understudy in The Threepenny Opera.

Orbach continued to work in theater, eventually earning roles in broadway musicals, but by 1961 had grown dissatisfied with being typecast as a musical actor. He tried briefly to break into film without success, and eventually returned to broadway where he earned numerous accolades for his roles in such musicals as “Guys and Dolls” and “Chicago“.

Orbach finally broke into television in the 1980s as a recurring character in shows such as the mystery-drama “Murder She Wrote” and the hit sitcom “Golden Girls“.

He earned the lead role as the title character in his own short-lived series “The Law and Harry McGraw”, a spinoff of “Murder She Wrote”. Orbach also scored key roles in a few Hollywood films, including the action thriller “F/X”, and the dance-musical hit “Dirty Dancing”, but continued to find his mainstay in television crime dramas.

In 1990, he picked up a role in the new NBC crime drama “Law and Order” as the acerbic-witted Lennie Briscoe, a role which soon become a regular job. Orbach continued in this role in addition to movie roles and occasional musical appearances until his death this last week.

Orbach was diagnosed with Prostate cancer in Spring of 2004, a fact he kept private until November when he checked into New York’s Memorial Sloan-Ketting Cancer Center for treatment. In spite of the aggressive nature of the treatment, he died on the evening of December 28.

Monday, November 28, 2005

U.S. Representative Randy “Duke” Cunningham (R–CA) pled guilty today to conspiring to take bribes in exchange for using his influence as a member of the House Appropriations Committee to help a defense contractor get business. In total he pled guilty to one count of income tax evasion and four counts of conspiracy, namely mail fraud, wire fraud, bribery of public official and accepting bribes. U.S. District judge Larry A. Burns scheduled Cunnigham to be sentenced on February 27. He is facing up to 10 years in prison and nearly $500,000 in fines, as well as forfeiture of unspecified amounts of cash and property.

In the court hearing, Cunningham admitted to accepting “bribes in exchange for performance of official duties” between “the year 2000 and June of 2005”, taking “both cash payments and payments in kind” and following up by “trying to influence the Defense Department”.

The federal investigation against Cunningham was triggered by his sale of his California residence to defense contractor Mitchell Wade in late 2003. However, Wade never moved in and sold the house at a $700,000 loss three quarters of a year later. At the same time Wade’s company MZM won tens of millions of dollars in defense contracts. Subsequent investigations discovered more questionable business transactions, including interactions with the defense contractor ADCS. In his plea agreement he testified that, among other charges, he “demanded, sought and received at least $2.4 million in illicit payments and benefits from his co-conspirators in various forms, including cash, checks, meals, travel, lodging, furnishings, antiques, rugs, yacht club fees, boat repairs and improvements, moving expenses, cars and boats.”

Cunningham announced his resignation after the hearing. In a written statement released by his law firm O’Melveny & Myers LLP he declared “The truth is — I broke the law, concealed my conduct, and disgraced my high office. I know that I will forfeit my freedom, my reputation, my worldly possessions, and most importantly, the trust of my friends and family.”

Tuesday, January 28, 2014

Evansville, Indiana, United States — This past week marked the opening night of an Andy Warhol exhibit at the University of Southern Indiana. USI’s art gallery, like 189 other educational galleries and museums around the country, is a recipient of a major Warhol donor program, and this program is cultivating new interest in Warhol’s photographic legacy. Wikinews reporters attended the opening and spoke to donors, exhibit organizers and patrons.

The USI art gallery celebrated the Thursday opening with its display of Warhol’s Polaroids, gelatin silver prints and several colored screen prints. USI’s exhibit, which is located in Evansville, Indiana, is to run from January 23 through March 9.

The McCutchan Art Center/Pace Galleries at USI bases its exhibit around roughly 100 Polaroids selected from its collection. The Polaroids were all donated by the Andy Warhol Photographic Legacy Program, according to Kristen Wilkins, assistant professor of photography and curator of the exhibit. The Andy Warhol Foundation for the Visual Arts made two donations to USI Art Collections, in 2007 and a second recently.

Kathryn Waters, director of the gallery, expressed interest in further donations from the foundation in the future.

Since 2007 the Andy Warhol Photographic Legacy Program has seeded university art galleries throughout the United States with over 28,000 Andy Warhol photographs and other artifacts. The program takes a decentralized approach to Warhol’s photography collection and encourages university art galleries to regularly disseminate and educate audiences about Warhol’s artistic vision, especially in the area of photography.

Wikinews provides additional video, audio and photographs so our readers may learn more.

Wilkins observed that the 2007 starting date of the donation program, which is part of the Andy Warhol Foundation for the Visual Arts, coincided with the 20th anniversary of Andy Warhol’s death in 1987. USI was not alone in receiving a donation.

K.C. Maurer, chief financial officer and treasurer at the Andy Warhol Foundation, said 500 institutions received the initial invitation and currently 190 universities have accepted one or more donations. Institutional recipients, said Mauer, are required to exhibit their donated Warhol photographs every ten years as one stipulation.

While USI is holding its exhibit, there are also Warhol Polaroid exhibits at the Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga Springs, New York and an Edward Steichen and Andy Warhol exhibit at the Mary & Leigh Block Museum of Art at Northwestern University in Evanston, Illinois. All have received Polaroids from the foundation.

University exhibits can reach out and attract large audiences. For example, the Weatherspoon Art Museum at the University of North Carolina at Greensboro saw attendance levels reach 11,000 visitors when it exhibited its Warhol collection in 2010, according to curator Elaine Gustafon. That exhibit was part of a collaboration combining the collections from Duke University, located in Durham, North Carolina, and University of North Carolina at Chapel Hill, which also were recipients of donated items from the Andy Warhol Photographic Legacy Program.

Each collection donated by the Andy Warhol Photographic Legacy Program holds Polaroids of well-known celebrities. The successful UNC Greensboro exhibit included Polaroids of author Truman Capote and singer-songwriter Carly Simon.

“I think America’s obsession with celebrity culture is as strong today as it was when Warhol was living”, said Gustafon. “People are still intrigued by how stars live, dress and socialize, since it is so different from most people’s every day lives.”

Wilkins explained Warhol’s obsession with celebrities began when he first collected head shots as a kid and continued as a passion throughout his life. “He’s hanging out with the celebrities, and has kind of become the same sort of celebrity he was interested in documenting earlier in his career”, Wilkins said.

The exhibit at USI includes Polaroids of actor Dennis Hopper; musician Nick Rhodes of Duran Duran; publishers Jann Wenner of Rolling Stone Magazine and Carlo De Benedetti of Italy’s la Repubblica; disco club owner Steve Rubell of Studio 54; photographers Nat Finkelstein, Christopher Makos and Felice Quinto; and athletes Vitas Gerulaitis (tennis) and Jack Nicklaus (golf).

Wikinews observed the USI exhibit identifies and features Polaroids of fashion designer Halston, a former resident of Evansville.

University collections across the United States also include Polaroids of “unknowns” who have not yet had their fifteen minutes of fame. Cynthia Thompson, curator and director of exhibits at the University of Arkansas, Fayetteville, said, “These images serve as documentation of people in his every day life and art — one which many of us enjoy a glimpse into.”

Warhol was close to important touchstones of the 1960s, including art, music, consumer culture, fashion, and celebrity worship, which were all buzzwords and images Wikinews observed at USI’s opening exhibit.

He was also an influential figure in the pop art movement. “Pop art was about what popular American culture really thought was important”, Kathryn Waters said. “That’s why he did the Campbell Soup cans or the Marilyn pictures, these iconic products of American culture whether they be in film, video or actually products we consumed. So even back in the sixties, he was very aware of this part of our culture. Which as we all know in 2014, has only increased probably a thousand fold.”

“I think everybody knows Andy Warhol’s name, even non-art people, that’s a name they might know because he was such a personality”, Water said.

Hilary Braysmith, USI associate professor of art history, said, “I think his photography is equally influential as his graphic works, his more famous pictures of Marilyn. In terms of the evolution of photography and experimentation, like painting on them or the celebrity fascination, I think he was really ground-breaking in that regard.”

The Polaroid format is not what made Warhol famous, however, he is in the company of other well-known photographers who used the camera, such as Ansel Adams, Chuck Close, Walker Evans, Robert Mapplethorpe, and Helmut Newton.

Wilkins said, “[Warhol] liked the way photo booths and the Polaroid’s front flash looked”. She explained how Warhol’s adoption of the Polaroid camera revealed his process. According to Wilkins, Warhol was able to reproduce the Polaroid photograph and create an enlargement of it, which he then could use to commit the image to the silk screen medium by applying paint or manipulating them further. One of the silk screens exhibited at USI this time was the Annie Oakley screen print called “Cowboys and Indians” from 1987.

Wilkins also said Warhol was both an artist and a businessperson. “As a way to commercialize his work, he would make a blue Marilyn and a pink Marilyn and a yellow Marilyn, and then you could pick your favorite color and buy that. It was a very practical salesman approach to his work. He was very prolific but very business minded about that.”

“He wanted to be rich and famous and he made lots of choices to go that way”, Wilkins said.

Kiara Perkins, a second year USI art major, admitted she was willing to skip class Thursday night to attend the opening exhibit but then circumstances allowed for her to attend the exhibit. Why did she so badly want to attend? “It’s Warhol. He is a legend.”

For Kevin Allton, a USI instructor in English, Warhol was also a legend. He said, “Andy Warhol was the center of the Zeitgeist for the 20th century and everything since. He is a post-modern diety.”

Allton said he had only seen the Silver Clouds installation before in film. The Silver Clouds installation were silver balloons blown up with helium, and those balloons filled one of the smaller rooms in the gallery. “I thought that in real life it was really kind of magical,” Allton said. “I smacked them around.”

Elements of the Zeitgeist were also playfully recreated on USI’s opening night. In her opening remarks for attendees, Waters pointed out those features to attendees, noting the touches of the Warhol Factory, or the studio where he worked, that were present around them. She pointed to the refreshment table with Campbell’s Soup served with “electric” Kool Aid and tables adorned with colorful gumball “pills”. The music in the background was from such bands as The Velvet Underground.

The big hit of the evening, Wikinews observed from the long line, was the Polaroid-room where attendees could wear a Warhol-like wig or don crazy glasses and have their own Polaroid taken. The Polaroids were ready in an instant and immediately displayed at the entry of the exhibit. Exhibit goers then became part of the very exhibit they had wanted to attend. In fact, many people Wikinews observed took out their mobiles as they left for the evening and used their own phone cameras to make one further record of the moment — a photo of a photo. Perhaps they had learned an important lesson from the Warhol exhibit that cultural events like these were ripe for use and reuse. We might even call these exit instant snap shots, the self selfie.

Saturday, December 10, 2005

While this wasn’t Interview with the Vampire, getting a live interview with Jimmy Wales of the Wikimedia Foundation is requiring more work and planning than ever. Four contributors to four different Wikinews language editions (with Swedish, Netherlands, and Polish) arranged to interview “Jimbo” in the Wikinews IRC channel, squeezed in before interviews with a periodical and a cable news source.

Thursday, April 29, 2010

UK Prime Minister Gordon Brown is now at the centre of controversy when, on Thursday, a live microphone caught him describing a voter he had talked to as being a “bigoted woman”.

The incident occurred after Brown, encouraged by his advisors to interact with ordinary people more often before next week’s parliamentary elections, went for a walkabout in the town of Rochdale, located near Manchester. There, he spoke with Gillian Duffy, aged 65, who challenged him on topics such as health and education, before asking about immigration: “All those Eastern Europeans what are coming in, where are they flocking from?” she asked him.

Brown responded by saying that “[a] million people come from Europe, but a million people, British people, have gone into Europe.” The prime minister, upon finishing the discussion, said it was “very nice to meet you” and returned to his car.

Unbeknownst to him, however, the Sky News microphone attached to his lapel was still turned on and picked up the conversation that followed inside the vehicle: “That was a disaster … they should never have put me with that woman,” Brown said. “Whose idea was that? It’s just ridiculous.” When an aide asked what Duffy had said, Brown responded: “Everything, she was just a bigoted woman that said she used to be Labour […] I don’t know why Sue [an aide] brought her up towards me.”

The PM, upon being informed what had happened, returned to Duffy’s home to personally apologise. “Sometimes you do make mistakes and you use wrong words, and once you’ve used that word and you’ve made a mistake, you should withdraw it and say profound apologies, and that’s what I’ve done,” he said. During an interview with the BBC, Brown is seen with his head in hands as the comments were replayed.

Duffy, speaking to reporters immediately after having talked with the PM, described Brown as being “very nice”, but later said she was “very upset” when informed what Brown had said off-camera. “Why has he come out with words like that? He’s supposed to be leading the country and he’s calling an ordinary woman who’s come up and asked questions that most people would ask him,” she said in an interview with the BBC.

“[…] It’s going to be tax, tax, tax for another twenty years to get out of this national debt, and he’s calling me a bigot,” later adding: “I want to know why – them [sic] comments I made there – why I was called a bigot.”

A spokesman for Brown said: “Mr Brown has apologised to Mrs Duffy personally by phone. He does not think that she is bigoted. He was letting off steam in the car after a difficult conversation. But this is exactly the sort of conversation that is important in an election campaign and which he will continue to have with voters.”

Some political analysts have said the gaffe may hurt Labour’s chances in the upcoming elections; the party had managed to narrow the Conservatives’ lead in recent opinion polls.

The Conservatives responded to the incident — dubbed by some media outlets as “Bigotgate” — with Shadow chancellor George Osborne saying that “general elections […] do reveal the truth about people.”

Liberal Democrat leader Nick Clegg, meanwhile said: “You should always try to answer the questions as best you can. He has been recorded saying what he has said and will have to answer for that.”

Andrew Russell, a politics lecturer for Manchester University, commented on the situation. “A politician in a stronger position could recover from this. What we know is that Gordon Brown is not in that position.”